Tag Archives: Oliver Masucci

Ekkekos, Elections, and “Er Ist Wieder Da”

17 Oct

We’ve not written much about the upcoming U.S. Presidential election. The thing’s already a surrealistic debacle, so we didn’t think we had anything to add to the mess.  And what the heck, we don’t, except to notice that many people treat their favored candidate like their own personal ekkeko.  “What’s an ekkeko”, you ask?  So did we. Years ago we received a gift of a small open-mouthed guy in a brown suit and bow tie.  He’s  festooned with a tiny basket, bags of grain, small play money, a box of laundry detergent (go figure),  a small pair of huaraches, and the like. (There was also something in a small plastic bag, but we put him on our workbench in the basement and a mouse ate whatever was in there – we forgot what that was.) We lost the tag that goes with him, which explained that one puts things on him related to what one wants to manifest in one’s life, so his burden of treasures increases over the years.  (When we were studying computer science, our youngest daughter thoughtfully drew a picture of a computer and put it on our diminutive plaster person. What the heck, we got an A.) Only after a Web search did we recall that this droll little man is called an ekkeko, and it comes from the Incan tradition.

ekkeko

We’re on Facebook, and some of our friends (and people we don’t really know – we’ve gotta adjust our filters) like to post things of a political nature. We wonder if the candidates are emotional ekkekos of sorts, something for people to pin their hopes and dreams on.

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We’ve seen David Wnendt’s “Er Ist Wieder Da” (“He’s Back”, or “Look Who’s Back” in English) twice now. The first time, we didn’t realize that there were optional English subtitles on this German language film and we missed about half of what’s going on.  (Nevertheless, we have long believed that if you want to see if a film is engaging, watch it with the sound turned off – if it still holds your attention, then the film is cinematic.  Some very good movies may fail this test, but on the whole, it’s not a bad way to judge a movie.) “He’s Back” could be described as “Borat meets Network meets Rip Van Winkle.” It’s based on a novel of the same title by Timur Vermes, and the one who’s back is none other than Adolph Hitler (played by Oliver Masucci.) As the film begins, we hear Hitler’s voice over expressing amazement that the German people have survived World War II, despite his order that all Germans be killed.  We see shots of clouds, and it’s not clear if Hitler has descended from the sky or been vomited up from the bowels of an Earth that has rejected him, as we then see him lying in the dirt near the former Führerbunker. In the course of the film, a hapless videographer named Fabian begins an uneasy relationship with the dictator, thinking him a demented actor who refuses to break character.  He takes him on a road trip of sorts around Germany. We don’t want to say too much else about the picture, as we’re always cautious about revealing plot points, but we found the film intriguing, funny, and disturbing all at the same time.

look_whos_back

We suspect that the novel is less Borat-like than the film is.  Oliver Masucci, the actor who plays Hitler has said that during scenes shot at the Brandenburg gate, many people seemed happy to see him, and unprompted, begged him to bring back concentration camps.  (One woman hit him, and he felt that it was the healthiest reaction he received.)

The one quibble we have is that Masucci, a 6′ 1″ tall actor, is too tall for the role (Hitler was 5’9″.)  Nevertheless, the film is worth your time, and it raises some disturbing (and in this election season, timely) questions.